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Solovox Gets Funky For The Stumbling Hippies – LOL stage at What The Festival





Solovox Gets Funky For The Stumbling Hippies – LOL stage at What The Festival

After an enigmatic set by Big Gigantic came to a close, the crowd stumbled and scattered like a group of flying around a lightbulb that just went dud. It was now time to skip into the WTF’s signature Illuminated Forest but not before a quick omen with people holding a sign that says “We Need New Friends.”

Breathe in. Breathe out.

“Ommmmmmmmmmmmmm”

The path leading you into the forest and down to the LOL stage is steep, and full of bright distractions so we had to lean far back almost on our heels as we slowly entered. As we descended lower, the faint sounds of synthesizers and electronic beats found its way through the trees and into my ears. With each step, it got louder, and the fuzzy effects started to go straight to my brain. Eventually, I could distinguish the electric tones and piano solos. They were coming from Portland’s producer and keyboard wizard, Solovox.

He began carefully blending in layers of synths over his mixes that wrapped in hip hop, break beats, and rock and roll into a dance floor explosion. Once everything was layered he would go off on a keyboard tangent, crushing his way through his own music. Suddenly, the beat came to a rest and he unleashed a furious bluesy piano intro that fed into the Beastie Boys belting out the opening verse to “Pass the Mic.” The voices of Mike D and MCA were suddenly being overpowered by the beginning of another solo that turned the course of the set with a little prog rock.

The LOL stage is set up almost at the bottom of the forest. It’s where yoga and other classes took place and there were several platforms spotted in different locations leading down to the stage. This set up created a choose-your-own adventure format. Some plats were full and some you had all to yourself, but Solovox was reaching to all depths and delivering a transcendental performance in the middle of the woods.

A couple of songs and several more volatile keyboard solos, the set came to a close and a crowd that had to stumble its way into the set was left with that same disorientation and forced back to reality until they found their next escape.

-Photos and story by Colin Hudson

Published: June 29, 2015 |

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