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Swear and Shake





Deli Best of NYC 2012 - Open Submission Results for FOLK ROCK + AMERICANA

This is the category gathering NYC based bands who play roots music in all its traditional glory. Or at least that's what we intended it to be - a couple of bands in the list (namely, Sewing Machines and The Balboans) obviously mis-categorized themselves when submitting for this poll...

Total Submissions in this category: 23

Artists Qualified to the Poll's Next Stage (starting soon):

1. Swear and Shake - 8.16 (out of 10)
2. The Ludlow Thieves - 7.66
3. The Courtesy Tier - 7.5

Honorable Mentions (score above 7):

Sewing Machines, The Balboans, Ten Ton Man, Runaway Dorothy, Zak Smith, Mail the Horse, Alana Amram & the Rough Gems, Kayleigh Goldsworthy, David King + The Confirmed Bachelors, Elijah Ocean, This Old Ghost, Thomas Bryan Eaton.

Jurors: Ben Toledo (Deli Portland), Jacqueline Caruso (Deli LA), QD Tran (Deli Philly)

The Deli' Staff





NYC Year End Poll - FOLK ROCK Submissions: Swear & Shake are #1

For a folk band, Swear and Shake are distinctly uninterested in discussing far off lands and forgotten frontiers. In her lyrics, girl-next-door/singer Kari Spieler would rather bring up her weed habits ('These White Walls') or tough choices concerning playing marbles ('Marbles' - streaming).You'll feel like you already know the group after listening through a couple of these charming acoustic tunes. See the band live when they play Irving Plaza on Jan 16. - Mike Levine (@Goldnuggets)

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14 bands play Deli CMJ Rootsy Stages at The Delancey: Laura Stevenson, Shakey Graves, Blonds + more

DETAILS ABOUT THIS SHOW + STREAMING COMPILATION OF ALL 14 BANDS HERE.

The 2012 Deli's CMJ festivities will be kicking off on Tuesday, October 16th at The Delancey, with an extensive showcase of some of the city's best rootsy acts. This year, we've booked fourteen artists, most of them local, who'll be giving us a good taste of folk music beyond the run-of-the-mill, split between both floors of the Lower East Side venue. 

Headlining the main floor we'll have the magnetic concoctions of dream-roots duo Blonds and rootsy-pop ensemble Laura Stevenson & The Cans (pictured), amidst a farandole in which everyone should find a flavour that suits them - check out Town Hall, Swear & Shake, and The Reverend John Delore, who will be releasing a new album that night.

Upstairs, for a free (!) show, you'll find bluegrass trio JP & The Gilberts, energetic singer folky duo XNY, and the enchanting recent additions to the NYC scene Plume Giant (pictured) - who've been getting some well-deserved attention since the release of their debut album 'Callithump' - on a night filled with talent in which everyone, even those country detractors out there, should find a reason to cheer. Check out the full details of the line-up here.





Swear and Shake release "Maple and Ridge" album on 07.06 at Mercury

New York indie folk quartet Swear and Shake played the Hillstock fest last week, and will cement their status with a CD release party at Mercury Lounge on Friday July 6 with These Animals and Tall Tall Trees.

The moniker itself captures a certain quality to the group’s vibe, evoking the rhythmic and fitful, but most distinctly their togetherness - as if these four, somewhere on a playground long ago, entered into a pact of musical dimensions. Undoubtedly there is a spirit of play to the music, resulting in songs that toss between childlike vulnerability and wonder, and resounding harmonies that beautifully elevate the stuff of good old indie-folk - The vocals alone, shared between Kari Spieler and Adam McHeffey, are fodder for obsession.

Yet don’t be fooled. If we are to start on the playground, “Maple Ridge” maps the art of growing up. That is, despite its homespun feel, the album achieves definite sophistication. From the first track, the delightfully singsong “Marbles” (streaming below), the band looks to the future with all the tenderness of youthful promise: “I swear I’ll clean up good/I bought us a piano so our kids would grow up smart”. “White Walls”, on the other hand, displays an early world-weariness- an acknowledgment that relationships seem to impact our personal growth more than we’d like. Still, the wistful “Wrecking Ball” addresses our craving for such (literal) impact. The group freely admits another reality of adulthood: that sometimes, though we’ve sworn a person off, we ultimately can’t shake them. - Kristina Tortoriello

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