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Artist of the Month
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July 2014
Talkative
"Hot Fruit Barbeque
"
mp3

Whitnessing the growth of Portland punky psych-pop outfit, Talkative, over the years, has been an absolute pleasure. Each of their albums has a home in my music library and heart. Not to mention the dudes in the band are some of the finest gents among the Portland music community. I knew we'd be good buds from the first time I met guitarist/synth/vocalist Cody Berger in 2011, after my own band played a show at Kelly's Olympian, and I reluctantly let an intoxicated Cody, saying "hey man, I heard you like to smoke pot too, cool!" hop a ride back to the SE with me to shorten his walk home. 

Talkative's latest stoney efforts, Hot Fruit Barbeque, takes their raucous high energy sounds to new levels. And it's not just upscaled production. The album feels more purposeful than their previus work, each song commanding you to yield and listen or dance (I prefer to wiggle). Lead single "Rudy Huckleberry" will be left lingering in your ear as you try to recreate Berger's catchy but mostly unintelligible vocal hooks for the remainder of the day. Equally as catcy, "Snow Jobs" and "Hava Nagila" showcase the impressively explosive capabilities of Casunn Taft's drumming. The boys explore slightly more worldly rhythms and tones alongside their distorted guitars on "Gentrifuckation" for an overall excelent, bouncy, party track. 

Hot Fruit Barbeque easily falls at the top of my list of favorite albums in 2014. Listen here.

- Travis Leipzig


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The Deli's SXSW Issue 2014 is online!

Read it digitally here.

P.S. 10k free copies of this issue hit the street of Austin during SXSW Music week!


Wampire Premier New Single "The Amazing Heart Attack"

Following their debut release of Curiosity last year, Wampire are gearing up to dose us with another full-length psychedelic trip titled, Bazaar, out October 7th on Polyvinyl Records. Fortunately, you don't have till then to experiment with their new sounds, as the boys just premiered the album's second single and opening track, "The Amazing Heart Attack." The song retains the spacy 70's synth styling present on Curiosity, but amps up the progy riffage for a darker, heavier sound. By contrast, Bazaar's lead single "Wizard Staff" slows things down with a sexy little groove reminicent to something Bruce Springstein and David Bowie might have collaborated on. Catch Wampire in Salem September 12 at Level B or in Portland September 21 at the Hathorne Theater with English psych rippers, Temples. 

- Travis Leipzig

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SUN ANGLE IS BACK! SUN ANGLE IS BACK! 9.8 at Mississippi

All you black magic babes with your resurection spells really outdid yourselves this time. SUN ANGLE IS BACK! The Portland Psych trio, once defunkt due to a terrible case of tinnitus in the ears of singer and guitar player, Charlie Salas Humara, are back, after some r&r and equipped with a baller new custom pair of ear plugs, and they're and ready to rage face! Tonight, they'll ride fully torqued onto the battle-stage of Mississippi Studios, accompanied by their psych pop allies Animal Eyes and Talkative. Now I can't say with certainty that this return from the grave is cooler than bringing back your long-lost favorite grandma would be, but lets be honest, it probaly is.

Get a load of the show teaser / new music video for Fox Cool by these undead Sun Gods and get the fuck out to support their comeback tonight. 

- Travis Leipzig

SUN ANGLE - FOX COOL // SEPT 8 SHOW TEASER from Marius Libman on Vimeo.

 

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Otis Heat to Release ING at Star Theater 9.5

Many moons have passed but these righteous dudes are at again. Alas, we have a second full-legnth album from Portland’s funktabulous grunge rock supreme, Otis Heat. This Friday, they are playing the Star Theater to celebrate the release of ING along with Brad Parsons & the Local Talent and Marca Luna.

This album features all four songs from The Ugly EP as well as ten new ones. Songs such as “Circles” has been tested at many of their past shows and the piercing chorus can ring in your head weeks after hearing it. “ING”, the albums opening song was set to a music video to promote the band’s upcoming fall tour. For their live show, you can expect a big sound to come from this three piece. With front man Sean O’Neill’s slap-heavy bass playing, his high-pitched vocals, a drummer who can carry seven different beats at once, and guitar shredder that puts a wide range of melodies on top of huge rhythms, turns their music into a giant thunder cloud of awesome sauce mixed in with sexy butter served over-easy with a handle of whiskey. Guaran-Fucking-Teed. $7 advance, $10 at the door.

- Colin Hudson

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Artist of the Month: Dedere

Once again, fans and readers alike have crowned their king of the poll. Congrats to Dedere for claiming the current title of Deli Portland's Artist of the Month! All too often a band's first recording can be their best, and everything thereafter a less pure regurgitation. Fortunately for Dedere, this is far from the case. The evolution of sound between their 2013 debut release, Little Ease in the Bell Jar, and their 2014 summer release of "Hollywood Future Plans," the first single off of a forthcoming album, has gotten me all sorts of excited for their next release. 

- Travis Leipzig

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Sama Dams and Hands In at Bunk Bar 8.28

Thursday night marks your last chance to catch the explosive live performance of avant indie rockers Sama Dams until the release of their long awaited third album in December. Via Fartbook the trio hinted that they plan to make the show a special one, and if any of their past shows serve as a variable of measure for an "un-special" performance (if that is even a possibility for them), then Thursday night should indeed be a magnificant spectacle. Sharing the stage with them at Bunk Bar are Zula, an experimental pop quartet from Brooklyn, NY, and Hands In, perhaps Portlands most irresistibly dancable one man act. $6 in advance or $8 at the door, the show starts at 9. 

- Travis Leipzig

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Preview: Psychomagic at The Know 8.26

Psychomagic’s psych rock is playful and morbid, tinged with surf, punk, and vintage tone. From their textured instrumentation, it’s obvious this quintet (Stone Laurila (guitar), Eddie Bond (keyboards), Anthony Brisson (drums, backing vocals), Scott Page (bass), and Steve Fusco (lead vocals/guitar)) find their vibe on stage. Songs are strummy, but shift to  heavy riffs over soft, fast rhythms and theatrical melodies. Its catchy, but then drifts off and almost fades out during long interludes, allowing the listener to get lost in their own narrative before changing the scenery. Their range can be the softer “Mutated Love” after fast and raging “I Dont Want To Hold Your Hand”. Fusco warbles through songs, sometime crooning about playing the fool and being a “Heartbroken Teenage Zombie Killer”. It's tongue in cheek, he declares from the start that “I’m A Freak." Playing with the pining rock of Portland's Dandelyons, and Austin's Tele Novella, it should be a colorful Tuesday evening at The Know. 

- Brandy Crowe

 

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Ghost Frog at Habesha Lounge 8.24

Very little information about local “space punk” outfit Ghost Frog has been documented on the internet since their initial descent from outer space, although one aspect of their mission seems clear: they came here to share their “space drugs” with Portland scenesters and relieve us of our intact eardrums. For all appearances, it seems they come in peace and the subsequent loss in hearing can be seen as a necessary oblation to the many-headed grungy space-psychgaze hybrid creatures that make up Ghost Frog. To describe “Made in Mars,” the band’s only song on bandcamp, imagine Tame Impala’s airy, other-worldly sound with the steady, driving rhythm cut out. Instead, the song seeps forward like liquid through fabric until it explodes into a fuzzy wall of feakout.

Come to Habesha Lounge (801 NE Broadway St, Portland, Oregon 97232) this Sunday, August 24 to point and stare at these plenipotentiaries from Pluto as they rock out alongside Dedere--whose genre tag “lit rock” and following Sylvia Plath reference in their album title should give you an idea of what they’re about--and Ghetto Hexes, whose loopy synth pop and dispassionate (yet garnished) boy-girl vocal stylings are evocative of The xx.

- Bryce Woodcock

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