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STREAM Mobilities' 'Time Hasn't Swallow Us Yet,' Out Now

If you couldn't already tell by their name, Mobilities is a band about free movement; fluidity in their instrumentation, production and genre influences is part of what makes Mobilities such an enjoyable and dynamic group. Their self-titled EP was one of the first tastes of their particular flavor they shared with the world, but their debut full-length Time Hasn't Swallowed Us Yet goes even further to showcase their spirited musicianship.

Most of the songs on Time Hasn't Swallowed Us Yet were written by lead vocalist/guitarist Eric McCauley and bassist/vox Brett Sparrey (though each member had a hand in writing their own parts) and recorded over about a five month span at Toadhouse Studios. Musically, you can hear the influence bands like Queens of the Stone Age, King Gizzard and the Lizard Wizard, and local phenoms Portugal. The Man have had on them, blurring lines between what's considered alternative, experimental rock, indie, garage and punk. But, Mobiliities takes their songs in their own direction lyrically and sonically. The album is thematically based on social issues, touching on political and philosophical issues as well. It's a journey from start to finish, and one that is worth taking with the band.

Catch Mobilities, along with Eugene's Childspeak and The Von Howlers, for the Time Hasn't Swallowed Us Yet album release show 2.24 at Kelly's Olympian. Dive into the album in its entirety below. You won't be disappointed.





Burger-A-Go-Go's back with more non-male love

Burger Records is more than just the SoCal-based label dominated by scruffy ruffians shotgunning beers all the time. A first glance at not only their extensive roster but the typical scene flooding their festivals and gatherings would appear to make that the truest statement about the label. But it isn't. For the last four years the label has specifically curated an event catering to the promotion of bands, groups and solo artists where one or all of the members are non-male identifying. That event is called Burger-A-Go-Go, and it's awesome.

Now, using "female-fronted" or any iteration of the sort as a selling point for anything is pretty played out and low-key offensive, but in this case, it works within the context. Femmes haven't been well celebrated in the realm of music or anything else throughout history nearly enough as they should, but for the next two nights, Burger is doing a little bit to quell that in Portland.

Sentimental garage-pop act Patsy's Rats will be holding it down on the local front and sharing the stage with a grip of punk, garage and dream pop acts, like The Coathangers, Death Valley Girls, Summer Twins, and much delight from Dengue Fever, who dish out psych-pop with a Cambodian Rock flair, among others. 

Tickets for Burger-A-Go-Go will run you anywhere from $20-$35, but it's well worth it to see a bunch of acts that aren't what the music industry considers the "standard."





SXSW Presents: Kyle Craft

 In his own ways, Kyle Craft is a little bit country and a little bit rock and roll. The Louisiana-born, Portland based singer/songwriter has a defined understanding of how to mix the two, along with folk and blues elements to produce songs that are rich with the journey through emotions and life. 

And all of this from a kid that wasn't even sure he wanted a career in music.

“The whole music thing has been a really strange cinematic sort of journey for me,” Craft says. “None of it really makes sense on paper.” It may not make sense to him on paper, but it makes sense to every last one of his fans. It made sense to Sub Pop Records, too, as they signed Craft without any question or hesitation. Not too shabby for a Southern boy with bluegrass roots. Whether he's playing his solo acoustic sets or backed by his talented band of friends, Craft older sounding tunes for a younger generation of kids. We couldn't be more pleased with that.





SXSW Presents: Kyle Craft

 In his own ways, Kyle Craft is a little bit country and a little bit rock and roll. The Louisiana-born, Portland based singer/songwriter has a defined understanding of how to mix the two, along with folk and blues elements to produce songs that are rich with the journey through emotions and life. 

And all of this from a kid that wasn't even sure he wanted a career in music.

“The whole music thing has been a really strange cinematic sort of journey for me,” Craft says. “None of it really makes sense on paper.” It may not make sense to him on paper, but it makes sense to every last one of his fans. It made sense to Sub Pop Records, too, as they signed Craft without any question or hesitation. Not too shabby for a Southern boy with bluegrass roots. Whether he's playing his solo acoustic sets or backed by his talented band of friends, Craft older sounding tunes for a younger generation of kids. We couldn't be more pleased with that.





SXSW Presents: Johanna Warren

*photo by Allyce Andrew

Most people think of music as a means of release or expression, and both of those are very much so true. But for songwriter and multi-instrumentalist Johanna Warren, music is something even more - it's like a natural energy. “Music is vibration; it's a direct way to affect matter," says Warren. "A song is a way to journey into places of discord and then resolve back into harmony.” Warren's articulation of this is crystal clear through her delicate folk compositions, each taking some sort of dark and haunting turn in a way that plays off her understanding of mysticism, occultism and human existence.

These themes run deep in her songs, but also in how she visually represents them. Her music videos often carry the same motifs, often showcased through physical movement. Warren has even translated this into the basis of a label, founding Spirit House Records in 2016. The label is home to many radical and fluid minds who find themselves identifying in some way or another as witches, healers and free spirits. One of the first Spirit House releases happened to be the first of her Gemini albums with the second, Gemini II, coming out just a couple days ago. Both find themselves rooted in personal mythology and occult symbolism, pushed through moody melodies and tones. 

Johanna Warren's songs are introspective and compound, making for an entrancing live production.

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