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The Deli's SXSW Issue 2014 is online!

Read it digitally here.

P.S. 10k free copies of this issue hit the street of Austin during SXSW Music week!





Caustic Touch, EMS, House of Low Culture and Daniel Menche share new 4-way split

 Harsh noise enthusiasts rejoice, as today a 4-way split from some of the most deft musicians in that genre field. Featuring dynamically skilled artist Aaron Turner (Sumac, Old Man Gloom, Isis) and Faith Coloccia of Seattle's Mamiffer as House of Low Culture, Daniel Menche, Andrea K.'s of Vice Device solo project Caustic Touch and EMS, the split showcases each artists' ability to make even the most grating of sounds appealing.

Each artist got at least one track on the split, but Caustic Touch surely commanded much of the album having contributed three. The album carries itself almost like a grating tale, with House of Low Culture's "The Pervasive Mind" as the album's exposition, Caustic Touch's "Desiccating Wind" beginning the rising action, "Is She Ectoplasm?" by Daniel Menche as the falling action, and "Hierarchy of Bodies" by EMS ending it as the resolution.

There's a beauty to its discordance that makes the album gripping. What will be even more interesting to see is how each of these artist's translates these tracks into live performances. See how each of them does it at the release show for the split tonight 12.15 at Modular 8.





Freakout Standouts: Strawberry Mountain

*photo by Travis Trautt 

Strawberry Mountain has been around the way for awhile, just not necessarily as montaña de la fresa. Formerly known as Basement Surfers, the DIY music and art collective are as large with their sounds as they are with their member count. Having played two sets at Freakout this year attendees were able to enjoy them twice over, but their sounds were entirely perfect for the Conor Byrne and its crowd.

Aside from their all-ages "2nd chance" Filson set Strawberry Mountain packed onto the Conor Byrne's stage as festival goers crowded the walkways of the bar-venue, lining up for Will Call tickets and press check-in. Upon their first notes the heads in the room focused with intrigue on their expansive, experimental psych sounds, much of which came from their early 2017 album Human Music.

With that album and everything prior, Strawberry Mountain are definitely ones we'll keep our eyes on.





Freakout Standouts: Future Shock

 *photo by Travis Trautt

What can really be said about Future Shock? The duo, comprised of futuristic characters RayGun and The Doctor, can put your world down, flip it and reverse it with their sounds. They took over Hattie's Hat the first night of this year's Freakout Festival and in every sense, they definitely ran the place.

Commanding the back room of Hattie's with a creatively confident air, Future Shock were unapologetically themselves; their afro-nu wave-neo soul a force that no one in the audience could really reckon with. An amalgamation to the likes of Kraftwerk, Tribe Called Quest, Bowie and new wave greats, Future Shock, fog machine and bull horn in tow, ran through incredibly dancey tracks like "The Future," "Time & Space" and "Secret Weapon," all of which were very well received. With one of the most captivating and overall entertaining sets of the entire festival, if they weren't on your radar before they definitely need to be now.

They may not play sets very often but it's more than worth it if you're able to catch one. Follow Future Shock's Facebook to see when they're taking the stage next.





Freakout Standouts: Baywitch

 *photo by Andy Perkovich

Playing what was predominately a psych-surf themed night at the KEXP Audioasis stage at the Sunset Tavern, chill-goth trio Baywitch brought to the table their own ideas of what that sounds like. Self dubbed "antisurf," which is the cleverly infectious meld of anti-folk and surf rock, Baywitch created an near subsea experience on the Sunset's stage for their Saturday Freakout set.

With all the colorful lights creating an aquamarine experience, Baywitch rocked through tracks off their early summer album Hellaspawn. Fetching, fast-paced riffs mask some pretty doomy themes, like having panic attacks because of pot brownies as told on “I.O.D.T.H.C.” or how "Black Holes" describes the overwhelming turmoil of the fascist movement happening across the country. Their sounds are, however, charming enough that it's easy to forget there's real life subject matter in their lyrics.

Baywitch have got quite a few shows coming up and more details on them can be found here.

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